Report on the joint poetry reading with the Harford Poetry and Literary Society.
I will never again say Joe-on-the-Street can't appreciate poetry. We had a packed house! Somehow the event trickled into the local newspaper's calendar. Folks started calling The Vineyard Wine Bar for reservations two weeks ago. I had to turn away three parties. Granted, it was a small room but it was over-flowing with 12 poets, their guests, and strangers who managed to squeeze in.
The poets were from the Harford Poetry and Literary Society, Lunchlines (we're in Maryland). The lounge in the wine bar is a gorgeous space with two fireplaces, three couches with coffee tables and ottomans, and three walls of bottles.
We had a Zen poem, poems about wine, waking with 180 pounds of pooch and an additional dozen of cat, apologies to parents, losing one's virginity, a persona poem, how to get a poem published in the New Yorker, poems about princesses and queens, even one in Hawaiian Creole (aka pidgin english).
Dan Cuddy of Loch Raven Review and his wife, Kathy, were celebrating their 41st wedding anniversary. Had to include that tidbit in the concluding toast. Colleen Webster, who won the O'Henry Prize for Literary Excellence in 2004, read a beautiful poem about a typical day in her life.
The next day we began planning another joint reading, during National Poetry Month. It will be in a library meeting room with lots of seating so we can welcome the general public.
Hurray for poetry!
-May Kuroiwa
Wednesday, August 4, 2010
Friday, July 16, 2010
Choosing Heaven Or Earth
It was college
and there was
no money
so I lived
on sweet potatoes
and one simple rule: If
I could survive without it,
I did
and shopped at Butler's Pantry,
an untidy place
of dusty light-bulbs
and grey cracked linoleum.
I'd pick up items from shelves
and ask myself
If I don't purchase this today
will I die?
If yes, it went into
the crook of my arm
against my chest
bagged and carried
up stairs to my apartment.
If no, it went back
to its place on the shelf.
That day at Butler's
something smelled
of summer's light
and of summer's air.
A pyramid
tall as my eye
yellow, and red-blushed,
an occasional stem
with a leaf
curling
over firm flesh.
Eyes on
the cleft between
mounded breast of peach,
I picked one up --
not the largest
or the brightest
but the closest --
and inhaled
the wonder at its skin.
Would I die without this?
After I replaced
heaven, and purchased
my pound
of potatoes
I took them home
and washed
peeled
cut
and boiled them.
As I ate
over a physics textbook --
which cost a hundred times
my breakfast, lunch, and dinner --
immersed in the Second
Law of Thermodynamics,
there came
the scent
of peach.
May Kuroiwa
and there was
no money
so I lived
on sweet potatoes
and one simple rule: If
I could survive without it,
I did
and shopped at Butler's Pantry,
an untidy place
of dusty light-bulbs
and grey cracked linoleum.
I'd pick up items from shelves
and ask myself
If I don't purchase this today
will I die?
If yes, it went into
the crook of my arm
against my chest
bagged and carried
up stairs to my apartment.
If no, it went back
to its place on the shelf.
That day at Butler's
something smelled
of summer's light
and of summer's air.
A pyramid
tall as my eye
yellow, and red-blushed,
an occasional stem
with a leaf
curling
over firm flesh.
Eyes on
the cleft between
mounded breast of peach,
I picked one up --
not the largest
or the brightest
but the closest --
and inhaled
the wonder at its skin.
Would I die without this?
After I replaced
heaven, and purchased
my pound
of potatoes
I took them home
and washed
peeled
cut
and boiled them.
As I ate
over a physics textbook --
which cost a hundred times
my breakfast, lunch, and dinner --
immersed in the Second
Law of Thermodynamics,
there came
the scent
of peach.
May Kuroiwa
Friday, July 9, 2010
Someone Forgot to Put the Moon Away
A Jarhead, they called my son,
and remade him in their own image.
He was perfect when he left
but returned home with his jar, broken.
I leave my unconscious husband
and check my boy, his breathing
coming in broken whimpers.
Where does he run to at night,
legs thrashing the sheets
to cloth butter?
I call to him from the hallway
until he flings a fist at the air
(once he left a bruise on my chin
and once, kicked a hole in the wall),
rolls over, and is silent.
I sit in the kitchen
where we nicked birthday heights
into the door frame,
at the table
where we colored eggs,
unable to plan tomorrow’s dinner,
or decide if I want coffee, or tea,
or should go back to bed.
Who left the moon out?
Was it him?
His father?
Was it me?
I see the moon.
The moon sees me.
God bless the moon,
though He’s forgotten me.
May Kuroiwa 7/9/10
and remade him in their own image.
He was perfect when he left
but returned home with his jar, broken.
I leave my unconscious husband
and check my boy, his breathing
coming in broken whimpers.
Where does he run to at night,
legs thrashing the sheets
to cloth butter?
I call to him from the hallway
until he flings a fist at the air
(once he left a bruise on my chin
and once, kicked a hole in the wall),
rolls over, and is silent.
I sit in the kitchen
where we nicked birthday heights
into the door frame,
at the table
where we colored eggs,
unable to plan tomorrow’s dinner,
or decide if I want coffee, or tea,
or should go back to bed.
Who left the moon out?
Was it him?
His father?
Was it me?
I see the moon.
The moon sees me.
God bless the moon,
though He’s forgotten me.
May Kuroiwa 7/9/10
Tuesday, July 6, 2010
Isn’t This Also Art
The artist tied her thick, black, luxurious, tangled, majestic hair to the
luxurious, black, thick hair of her lover her collaborator and they sat back to
back, butt to butt, shoulder blade to shoulder blade, tightly tied together by
their tangled hair and called it art and sat there and sat there and sat there
and sat there this is art, they announced and we came and we watched and we
watched, and we asked is this art? and by our presence as we watched and as we
watched, we answered, yes this is art for they were naked, for they were exposed
I do not remember whether they were clothed but they were naked they were
exposed and we watched them in their nakedness exposing themselves to our eyes
our eyes boring into their still, stoic, tense, passive, vibrant bodies their
nakedness becoming a part of our unwanted nakedness our bodies now becoming a
part of their performance their nakedness, their art changing our bodies their
nakedness becoming our nakedness as we watched as they sat sitting for hours
without movement like two Hindu gurus who had not eaten for two centuries we
could see them breathe we could feel ourselves breathe sometimes an eyelid
blinked while we shifted our weight and shuffled our feet their two bodies were
as one two Siamese twins reconnected joined at their hair their bodies, their
beings flowing into each other two bodies becoming as one— we saw this together
you and I, together even though you were dead your ashes scattered we
experienced this together we—the living and the dead— we are still joined— Isn’t
this also art? Peter Goodwin
Wednesday, June 2, 2010
Memorial Day
Today we remember and honor those who died
in war, a day to celebrate heroism, sometimes
there is heroism on the battlefield, if only there
was a little heroism in the grand halls, conference
rooms, the calculations that send the young into battle
in order to cover the miscalculations, hubris, stupidity,
indifference, pettiness of those who thought a little war
a solution, or an expression of national will, or those
who lacked the courage to tackle tough issues, who hid
from reality, from danger until they lost all capacity
to choose, as waves of war suddenly appears
on the horizon, who knew? who could know
that the postures that politicians love, the games
that diplomats play have consequences and when
the dust has settled, acres of dedicated fields grow
gravestones which we can decorate
with flowers and water with tears.
Peter Goodwin
in war, a day to celebrate heroism, sometimes
there is heroism on the battlefield, if only there
was a little heroism in the grand halls, conference
rooms, the calculations that send the young into battle
in order to cover the miscalculations, hubris, stupidity,
indifference, pettiness of those who thought a little war
a solution, or an expression of national will, or those
who lacked the courage to tackle tough issues, who hid
from reality, from danger until they lost all capacity
to choose, as waves of war suddenly appears
on the horizon, who knew? who could know
that the postures that politicians love, the games
that diplomats play have consequences and when
the dust has settled, acres of dedicated fields grow
gravestones which we can decorate
with flowers and water with tears.
Peter Goodwin
Saturday, May 22, 2010
Passover
Though she was not religious, we ate matzo
for the whole week of Passover, often searching
for hours in our rural neighborhood
for a store that sold matzo, and the store
that sold matzo one year did not always sell it
the next so she always bought more
than we needed, and for the Passover after
her death I had no need buy any more matzo,
but none of her family celebrated Passover,
she was the one who insisted on Passover,
but the family expressed an impatience,
as she prompted the men on procedure
and pronunciation, to get on with it and eat,
and when her niece gave birth to twins and
one twin was stillborn, her niece and
husband crying and confused, she insisted
that they deal with the dead one
he should have a proper burial
with proper Jewish prayers,
so many ancestors had been killed
with no ceremony and no memory
and this one child will be buried
with honor and memory
and the Family did gather to bury the child
and we said prayers for him, and
Kaddish, the Jewish Prayer for the Dead,
which we said for him
and for them
and for us,
and that was the last act
she did for her family
and at the Thanksgiving
following her death
the non Jewish husband of her niece
opined
she will be missed,
but she was cantankerous.
Peter Goodwin
for the whole week of Passover, often searching
for hours in our rural neighborhood
for a store that sold matzo, and the store
that sold matzo one year did not always sell it
the next so she always bought more
than we needed, and for the Passover after
her death I had no need buy any more matzo,
but none of her family celebrated Passover,
she was the one who insisted on Passover,
but the family expressed an impatience,
as she prompted the men on procedure
and pronunciation, to get on with it and eat,
and when her niece gave birth to twins and
one twin was stillborn, her niece and
husband crying and confused, she insisted
that they deal with the dead one
he should have a proper burial
with proper Jewish prayers,
so many ancestors had been killed
with no ceremony and no memory
and this one child will be buried
with honor and memory
and the Family did gather to bury the child
and we said prayers for him, and
Kaddish, the Jewish Prayer for the Dead,
which we said for him
and for them
and for us,
and that was the last act
she did for her family
and at the Thanksgiving
following her death
the non Jewish husband of her niece
opined
she will be missed,
but she was cantankerous.
Peter Goodwin
Tuesday, May 11, 2010
Hard a Lee!
They were uniformly chubby
Never slim, and often tubby
Were those sailors docking at that little port
Serendipitously cheerful
They could fill up quite an earful
As they told their tales (with chuckles and a snort)
Of the meals that they had eaten
Chickens fried and biscuits beaten
Masticated by the bushel and the quart
Of the drinks that they had swallowed
Smorgasbords where they had wallowed
Pausing only to inhale a cherry torte
And digestion reigned quiescent
Never need for effervescent.
Eating was, in fact, the shared collective sport
Dyspepsia so unknown that
the slim and not so slim: the fat
flocked there as if it were a Turkish porte
But though this town was famous
it was also, oddly, nameless
Til a busybody went down to the court
Where the lawyers yakked and clamored
And by their threats they seemed enamored
With the notion of a motion for a tort
Laid against this nameless village
(thus its coffers, surely pillage)
So the citizens, they gathered to abort
This legal bit of doo doo
Thus to wish god speed and adieu
To this problem; when a well fed man named Mort
(Quite the largest of those yeomen.
Also something of a something showman:
Adiposity itself, with visage swart)
Placed his surname in the running
For the naming, thereby stunning
Those embroiled,and future problems neatly thwart
Mort's handle was a kicker
as a name it's been a sticker
for his cogomen was apt and it was short
The Port is Lee, unless objecting
Voices say it’s disrespecting
to the citizens with weight of any sort!
Maggie Creshkoff
5/4 and 5/11/2010 and 5/14/10
Never slim, and often tubby
Were those sailors docking at that little port
Serendipitously cheerful
They could fill up quite an earful
As they told their tales (with chuckles and a snort)
Of the meals that they had eaten
Chickens fried and biscuits beaten
Masticated by the bushel and the quart
Of the drinks that they had swallowed
Smorgasbords where they had wallowed
Pausing only to inhale a cherry torte
And digestion reigned quiescent
Never need for effervescent.
Eating was, in fact, the shared collective sport
Dyspepsia so unknown that
the slim and not so slim: the fat
flocked there as if it were a Turkish porte
But though this town was famous
it was also, oddly, nameless
Til a busybody went down to the court
Where the lawyers yakked and clamored
And by their threats they seemed enamored
With the notion of a motion for a tort
Laid against this nameless village
(thus its coffers, surely pillage)
So the citizens, they gathered to abort
This legal bit of doo doo
Thus to wish god speed and adieu
To this problem; when a well fed man named Mort
(Quite the largest of those yeomen.
Also something of a something showman:
Adiposity itself, with visage swart)
Placed his surname in the running
For the naming, thereby stunning
Those embroiled,and future problems neatly thwart
Mort's handle was a kicker
as a name it's been a sticker
for his cogomen was apt and it was short
The Port is Lee, unless objecting
Voices say it’s disrespecting
to the citizens with weight of any sort!
Maggie Creshkoff
5/4 and 5/11/2010 and 5/14/10
Wednesday, May 5, 2010
Philip
The professor wonders
did she sign his death warrant
when she hired him,
to do the programming
for her research project
the luckiest day of his life, he believed.
seven, oh seven, seventy seven.
He was gorgeous, he was blond
with long fine hair always in his eyes,
with a beautiful slow smile, and
so tall he had to do splits
so they could look eye to eye,
a student from Australia, who could now stay
in America, a brilliant mathematician
and a creative musician who turned
his computer into an orchestra.
With the job he got a green card,
and at night enjoyed the excitement
of New York’s musical scene, hanging
out with the famous and the dangerous.
The programming he did for her
he did with such sophistication
she could not always follow his approach
but admired its elegance
and had but one complaint
he was always late,
yet they continued working together
for years, she fussing and fussing
to get it done, he smiling and promising
but she could never stay angry with him
for he did his work with brilliance
and he was gorgeous, his mind as rigorous
as his face was sweet, and she loved him
but was hard on him, and at one dueling meeting
she noticed he looked paler than usual
and his finger nails looked blue,
deathly blue, and that was the last time
they spoke for he died very quickly,
from a fever they said
but she knew its cause
and his lover the famous composer
whose music she never liked
she now disliked with a passion.
Peter Goodwin
did she sign his death warrant
when she hired him,
to do the programming
for her research project
the luckiest day of his life, he believed.
seven, oh seven, seventy seven.
He was gorgeous, he was blond
with long fine hair always in his eyes,
with a beautiful slow smile, and
so tall he had to do splits
so they could look eye to eye,
a student from Australia, who could now stay
in America, a brilliant mathematician
and a creative musician who turned
his computer into an orchestra.
With the job he got a green card,
and at night enjoyed the excitement
of New York’s musical scene, hanging
out with the famous and the dangerous.
The programming he did for her
he did with such sophistication
she could not always follow his approach
but admired its elegance
and had but one complaint
he was always late,
yet they continued working together
for years, she fussing and fussing
to get it done, he smiling and promising
but she could never stay angry with him
for he did his work with brilliance
and he was gorgeous, his mind as rigorous
as his face was sweet, and she loved him
but was hard on him, and at one dueling meeting
she noticed he looked paler than usual
and his finger nails looked blue,
deathly blue, and that was the last time
they spoke for he died very quickly,
from a fever they said
but she knew its cause
and his lover the famous composer
whose music she never liked
she now disliked with a passion.
Peter Goodwin
Friday, April 30, 2010
Father Farewell
Fathers aren’t like anybody else,
aren’t like mothers, with their
tender smiles, who are
happy just to hear you breathe
eager to see you take your first step,
right or wrong.
Fathers aren’t like anybody else, they’re
anxious, impatient, always
ready to correct. They
expect to see you do
whatever you’ve done, done better.
Excellence is what they leave you, an almost unattainable excellence in
language, logic,
love.
Maggie Creshkoff
aren’t like mothers, with their
tender smiles, who are
happy just to hear you breathe
eager to see you take your first step,
right or wrong.
Fathers aren’t like anybody else, they’re
anxious, impatient, always
ready to correct. They
expect to see you do
whatever you’ve done, done better.
Excellence is what they leave you, an almost unattainable excellence in
language, logic,
love.
Maggie Creshkoff
Thursday, April 29, 2010
Spring Walk
The house on the corner
is missing a window.
Grey shingles slide and dangle
half off the eves.
A neighbor cuts the grass.
The mailbox tilts,
jammed with yellowing pages.
A cracked sidewalk leads to fallen-in
stairs and the rotting porch.
No car sits in the driveway
hot engine ticking into rest.
No lights shine through
the shredded curtains.
But every April
purple irises surround
the foundation,
blazing new life
down the block.
May Kuroiwa
is missing a window.
Grey shingles slide and dangle
half off the eves.
A neighbor cuts the grass.
The mailbox tilts,
jammed with yellowing pages.
A cracked sidewalk leads to fallen-in
stairs and the rotting porch.
No car sits in the driveway
hot engine ticking into rest.
No lights shine through
the shredded curtains.
But every April
purple irises surround
the foundation,
blazing new life
down the block.
May Kuroiwa
Wednesday, April 28, 2010
Some days
Some days nearly everything goes right
Socks match, shoes stay tied,
The new shirt has no tag at the neck to itch you into fits.
You find the dog crap
before stepping into it
Not a single cat has bitten another
into puss-y pussy putrefaction.
Nothing breaks while packing.
All the stores stay open so you can buy what you need:
Printing, wrapping materials, receipt books.
Everything's going along really, really smoothly.
It’s enough to make you really, really nervous.
Maggie Creshkoff
Socks match, shoes stay tied,
The new shirt has no tag at the neck to itch you into fits.
You find the dog crap
before stepping into it
Not a single cat has bitten another
into puss-y pussy putrefaction.
Nothing breaks while packing.
All the stores stay open so you can buy what you need:
Printing, wrapping materials, receipt books.
Everything's going along really, really smoothly.
It’s enough to make you really, really nervous.
Maggie Creshkoff
Tuesday, April 27, 2010
Homesick
Whenever I have a choice of color
my husband has noticed
I pick green.
Green paint, shirts,
my wedding dress,
and asparagus off menus.
Yes, I say. It's my favorite color.
I don't tell him why.
My mountain is green.
Everyone in our family had one.
My mother sat in our garden
and watched hers
change colors throughout the day.
She was born under its shadow.
Mine was the tallest,
the center of the island.
On clear winter mornings
walking to the school bus
its ridgeline looked cut out of green
and blue and purple paper.
Most days the top is cloud-covered.
There's a swamp up there.
Constant rain,
the wettest place on earth.
Waterfalls drain down its face
some falling a thousand feet
and never reaching the valley below,
just blowing off the rock face
in the rounding winds.
Its plants grow no
where else on the planet.
White fairy terns
soar and call
a hundred feet below
the ancient hiking trails.
Yes, I like green
I tell my husband.
It's my favorite color.
He shakes his head,
and tells me I'm too cute.
He's from Philadelphia.
May Kuroiwa
my husband has noticed
I pick green.
Green paint, shirts,
my wedding dress,
and asparagus off menus.
Yes, I say. It's my favorite color.
I don't tell him why.
My mountain is green.
Everyone in our family had one.
My mother sat in our garden
and watched hers
change colors throughout the day.
She was born under its shadow.
Mine was the tallest,
the center of the island.
On clear winter mornings
walking to the school bus
its ridgeline looked cut out of green
and blue and purple paper.
Most days the top is cloud-covered.
There's a swamp up there.
Constant rain,
the wettest place on earth.
Waterfalls drain down its face
some falling a thousand feet
and never reaching the valley below,
just blowing off the rock face
in the rounding winds.
Its plants grow no
where else on the planet.
White fairy terns
soar and call
a hundred feet below
the ancient hiking trails.
Yes, I like green
I tell my husband.
It's my favorite color.
He shakes his head,
and tells me I'm too cute.
He's from Philadelphia.
May Kuroiwa
Monday, April 26, 2010
It Was the Snodgers
After the lights go out
and I've to bed, snoring away,
the Snodgers, says my husband,
it's the Snodgers come out to play.
They forget to turn off the TV
and leave milk cartons open on the shelf.
I ask, how do they handle the 'frig door?
That he's never seen, himself.
But magic clings to their elbows
and to their knobbly-kneed toes.
Perhaps the appliance winks its light on
before obligingly opening its door.
They sample all leftover puddings
and nibble the crust off the pie,
then finish the entire thing off
rather than leave the filling to dry.
They rinse any dirty dishes
and wipe the counter twice, aye
for ours are neat and tidy Snodgers.
They have class, Dan says, unlike I.
May Kuroiwa
and I've to bed, snoring away,
the Snodgers, says my husband,
it's the Snodgers come out to play.
They forget to turn off the TV
and leave milk cartons open on the shelf.
I ask, how do they handle the 'frig door?
That he's never seen, himself.
But magic clings to their elbows
and to their knobbly-kneed toes.
Perhaps the appliance winks its light on
before obligingly opening its door.
They sample all leftover puddings
and nibble the crust off the pie,
then finish the entire thing off
rather than leave the filling to dry.
They rinse any dirty dishes
and wipe the counter twice, aye
for ours are neat and tidy Snodgers.
They have class, Dan says, unlike I.
May Kuroiwa
Sunday, April 25, 2010
Rain Pours Down
Daddy couldn't pay the mortgage.
Mommy serves us dinner porridge.
It's the rain, come pouring down.
Now look -- our TV stopped working,
Daddy's remote, fingers jerking.
Watch, the rain is coming down.
We left the car, it's out of gas.
Mommy yells, keep walking, fast.
We are wet, it's raining down.
We live in a crummy motel.
Our classmates promise not to tell.
Look, teacher, it's raining down.
Water roars inside the gutters
Thunder jumps our hearts to flutters
and the rain keeps pouring down.
May Kuroiwa
Mommy serves us dinner porridge.
It's the rain, come pouring down.
Now look -- our TV stopped working,
Daddy's remote, fingers jerking.
Watch, the rain is coming down.
We left the car, it's out of gas.
Mommy yells, keep walking, fast.
We are wet, it's raining down.
We live in a crummy motel.
Our classmates promise not to tell.
Look, teacher, it's raining down.
Water roars inside the gutters
Thunder jumps our hearts to flutters
and the rain keeps pouring down.
May Kuroiwa
Saturday, April 24, 2010
Ward World Championship Wildfowl Carving Competition
He wanders
among the rows of wood blocks.
Many are turned aside,
the curves of the grain imperfect
or the heft just not feeling right.
Then he sits and takes up his tools.
The handles disappear inside his palm.
All that shows, first gouging
then nibbling,
are the fine metal spars
and their hungry edges.
Chips stop flying, a duck appears.
Sanding gives it character --
its curving sides
hint at wooden movement.
The brush tickles the duck's nose
yellow-green surrounds nostril spots.
It moves over the duck's wing
and feathers appear behind.
He releases his duck
to a fine cherry stand.
Glass eyes sparkle within brown down.
The female mallard hunkers
glowering, fluffed.
The day is cold.
May Kuroiwa
among the rows of wood blocks.
Many are turned aside,
the curves of the grain imperfect
or the heft just not feeling right.
Then he sits and takes up his tools.
The handles disappear inside his palm.
All that shows, first gouging
then nibbling,
are the fine metal spars
and their hungry edges.
Chips stop flying, a duck appears.
Sanding gives it character --
its curving sides
hint at wooden movement.
The brush tickles the duck's nose
yellow-green surrounds nostril spots.
It moves over the duck's wing
and feathers appear behind.
He releases his duck
to a fine cherry stand.
Glass eyes sparkle within brown down.
The female mallard hunkers
glowering, fluffed.
The day is cold.
May Kuroiwa
Friday, April 23, 2010
Spring Lullaby
Soft, Nightfall's gentle hand,
Her caress across the land
lifts sparkling stars up to the sky
dove's fading coos bid us good-bye.
So lay him down to bed
good night, my little sleepy head.
May Kuroiwa
Opps -- posted this on yesterday's thread as well.
Her caress across the land
lifts sparkling stars up to the sky
dove's fading coos bid us good-bye.
So lay him down to bed
good night, my little sleepy head.
May Kuroiwa
Opps -- posted this on yesterday's thread as well.
Thursday, April 22, 2010
What About Our Neighbor?
So she sings a bit off-tune.
So she smells like
Johnson Baby Powder
and wet socks.
And she does require a bit of talk
whenever you or I
are captive in the backyard.
She hangs into our property
over the broken gap
and talks, oh talks
about how we should
get a new awning,
take the dog for more walks,
get the kids off to school
sooner in the mornings.
That old woman
makes sure both our teenagers
don't stay out too late
and tells our dog
fables in which he stars
to keep him quiet.
And when those hooligans
were breaking into
cars on the block
it was she who called
the cops.
So let her croak
vague insults over our fence
and send our dog
in ecstasies.
She's our neighbor
our good neighbor
one we'd be sorry to lose.
May Kuroiwa
So she smells like
Johnson Baby Powder
and wet socks.
And she does require a bit of talk
whenever you or I
are captive in the backyard.
She hangs into our property
over the broken gap
and talks, oh talks
about how we should
get a new awning,
take the dog for more walks,
get the kids off to school
sooner in the mornings.
That old woman
makes sure both our teenagers
don't stay out too late
and tells our dog
fables in which he stars
to keep him quiet.
And when those hooligans
were breaking into
cars on the block
it was she who called
the cops.
So let her croak
vague insults over our fence
and send our dog
in ecstasies.
She's our neighbor
our good neighbor
one we'd be sorry to lose.
May Kuroiwa
Wednesday, April 21, 2010
Echo Chamber
What do I remember
of that time
with you?
Some questions
shouldn't be asked.
Not unless you are prepared
for all possible answers.
Was I happy?
Would I have done things differently?
And, most important, you say
Did I know that you loved me?
We were both young, foolish
wandering
into exciting territory
doing what we thought we
ought to
should do
wanted to.
Didn't you?
Sorry, I did
and thought you did too.
I learned to make you miserable.
You learned to run and hide
which made me push
dig
pull
harder
until whatever love
we had broke apart.
But I'll tell you this:
I wouldn't have chosen to grow up
with anyone other than you.
And you should leave it at that.
May Kuroiwa
of that time
with you?
Some questions
shouldn't be asked.
Not unless you are prepared
for all possible answers.
Was I happy?
Would I have done things differently?
And, most important, you say
Did I know that you loved me?
We were both young, foolish
wandering
into exciting territory
doing what we thought we
ought to
should do
wanted to.
Didn't you?
Sorry, I did
and thought you did too.
I learned to make you miserable.
You learned to run and hide
which made me push
dig
pull
harder
until whatever love
we had broke apart.
But I'll tell you this:
I wouldn't have chosen to grow up
with anyone other than you.
And you should leave it at that.
May Kuroiwa
Tuesday, April 20, 2010
The Queen Takes Up Her Pen
I sit at my desk
under arrest in my home
the palace built
by my brother, King Kalaukaua
in the bedroom where
Princess Kaiulani died
in my arms.
She was to be queen after me.
While my people gather
they call for me
and are shot by American Marines
sent by their Congress
and President Cleveland
who once held Kaiulani's hand
and gave his word
to honor her claim.
But she is gone now and so are his promises.
The new governor
Sanford Dole --
Hawaii never saw a snake
before he was born
son of missionaries
sugar plantation mogul
trusted advisor to kings --
Dole tells me I must abdicate
abdicate and bring peace
to the Islands
by vacating
a non-existent throne.
I point to the throne room and raise my brow.
Why should I speak to him?
That merchant
that sweet-tongued reptile
out of the fallen Eden
his parents taught my parents of
that coward
that Judas
who rises up against his queen.
Tonight I decide.
The papers lie before me.
All they require is my signature
Liliokalani, Regina
no more.
One sweep of this pen
and I betray my ancestors
my dead brother
lay my sweet niece
and all those brave people,
their blood soaking the earth
to rest.
I turn to another
page and write Aloha Oe,
Farewell to Thee.
And then I sign.
May Kuroiwa
Poetry class assignment: write a persona poem.
under arrest in my home
the palace built
by my brother, King Kalaukaua
in the bedroom where
Princess Kaiulani died
in my arms.
She was to be queen after me.
While my people gather
they call for me
and are shot by American Marines
sent by their Congress
and President Cleveland
who once held Kaiulani's hand
and gave his word
to honor her claim.
But she is gone now and so are his promises.
The new governor
Sanford Dole --
Hawaii never saw a snake
before he was born
son of missionaries
sugar plantation mogul
trusted advisor to kings --
Dole tells me I must abdicate
abdicate and bring peace
to the Islands
by vacating
a non-existent throne.
I point to the throne room and raise my brow.
Why should I speak to him?
That merchant
that sweet-tongued reptile
out of the fallen Eden
his parents taught my parents of
that coward
that Judas
who rises up against his queen.
Tonight I decide.
The papers lie before me.
All they require is my signature
Liliokalani, Regina
no more.
One sweep of this pen
and I betray my ancestors
my dead brother
lay my sweet niece
and all those brave people,
their blood soaking the earth
to rest.
I turn to another
page and write Aloha Oe,
Farewell to Thee.
And then I sign.
May Kuroiwa
Poetry class assignment: write a persona poem.
Monday, April 19, 2010
April 19th
A stab at a clerihew.
Albert Arnold "Al" Gore
According to Web legend and lore
On AlGore.com, your stupid blog
You're still lost in inconvenient smog.
May Kuroiwa
Albert Arnold "Al" Gore
According to Web legend and lore
On AlGore.com, your stupid blog
You're still lost in inconvenient smog.
May Kuroiwa
Sunday, April 18, 2010
Unfinished Poem
(you may not want to post this one)
She had been drinking, somewhat
I was about to say, seriously
She said she was no good at sex
I told her I was not so hot either
so we would make a perfect pair.
I was wearing loose jeans and work boots
She was wearing tight jeans
and shoes that wobbled her nicely
her loose hair casual like
and a joyful face
as we discussed her sex problems.
(Who would like to finish!)
Peter Goodwin
She had been drinking, somewhat
I was about to say, seriously
She said she was no good at sex
I told her I was not so hot either
so we would make a perfect pair.
I was wearing loose jeans and work boots
She was wearing tight jeans
and shoes that wobbled her nicely
her loose hair casual like
and a joyful face
as we discussed her sex problems.
(Who would like to finish!)
Peter Goodwin
Saturday, April 17, 2010
Two Eggs
The morning are quiet
I listen to the birds—she
who had a musical ear
would recognize their songs.
I can’t, I just hear
their cheerful cacophony,
earlier I heard muted songs
of insects, the rumble of frogs,
sometimes the yapping of dog—
she hated that—no human voices,
sometimes not even a radio
no arguments with politicians,
so-called experts, charlatans
pontificating over the air, no
discussion of the day past
or the day that is starting,
no push back, just the silence
of an unnaturally quiet house
and the comforting background
calls of nature’s exuberance,
preparing breakfast, two soft
boiled eggs, she worried about
cholesterol and insisted on only
one each, an ideal breakfast
when cooked correctly,
I continue to cook two
eggs , aiming for that
elusive perfection
and eat them both.
Peter Goodwin
I listen to the birds—she
who had a musical ear
would recognize their songs.
I can’t, I just hear
their cheerful cacophony,
earlier I heard muted songs
of insects, the rumble of frogs,
sometimes the yapping of dog—
she hated that—no human voices,
sometimes not even a radio
no arguments with politicians,
so-called experts, charlatans
pontificating over the air, no
discussion of the day past
or the day that is starting,
no push back, just the silence
of an unnaturally quiet house
and the comforting background
calls of nature’s exuberance,
preparing breakfast, two soft
boiled eggs, she worried about
cholesterol and insisted on only
one each, an ideal breakfast
when cooked correctly,
I continue to cook two
eggs , aiming for that
elusive perfection
and eat them both.
Peter Goodwin
Friday, April 16, 2010
Keeping an Eye Out
He warned about the crocodiles.
I said I would keep an eye
we were visiting Disney World
where danger is an illusion
and scheduled six times an hour.
I preferred cooling off in the lake
splashing, exuberant in the cool wet waters.
He warned about the crocodiles
he did not approve
of the splash, the joy in the waters.
Later with a grim satisfied smile on his face
look out there, he said, where you just swam
what do you see out there?
I see a crocodile out there, swimming
swimming very stately
swimming as if he owned the lake
but he is swimming away, I said,
and I will keep an eye…
Peter Goodwin
I said I would keep an eye
we were visiting Disney World
where danger is an illusion
and scheduled six times an hour.
I preferred cooling off in the lake
splashing, exuberant in the cool wet waters.
He warned about the crocodiles
he did not approve
of the splash, the joy in the waters.
Later with a grim satisfied smile on his face
look out there, he said, where you just swam
what do you see out there?
I see a crocodile out there, swimming
swimming very stately
swimming as if he owned the lake
but he is swimming away, I said,
and I will keep an eye…
Peter Goodwin
Thursday, April 15, 2010
Spring Mowing
Twice already
the neighbors have mowed their lawn
each time edging into my uncut yard
as if to say, it's time, past time.
Amid the dead daffodils,
scraggly grasses, dandelions, buttercups
and weeds there are lots and lots
of tiny delicate violets.
She cried when I decapitated
the violets; and today,
on a beautiful spring afternoon
I too am crying.
Peter Goodwin
the neighbors have mowed their lawn
each time edging into my uncut yard
as if to say, it's time, past time.
Amid the dead daffodils,
scraggly grasses, dandelions, buttercups
and weeds there are lots and lots
of tiny delicate violets.
She cried when I decapitated
the violets; and today,
on a beautiful spring afternoon
I too am crying.
Peter Goodwin
Wednesday, April 14, 2010
Spring Battle
That god-damned butt bird is back
after a winter sunning
somewhere in southern climes
building his nest in the gutter
outside my office window
cheep, cheep, cheepering
all the live-long day.
Screaming his fitness
to passing lady birds
like that drunken fraternity clod
who shouted Hey
Mei-Ling, the Chinese slut!
As I hurried by
to a 10 a.m. physics exam.
His nest will again
stop the gutter's flow
and icicles – no, eve-hanging glaciers --
will block my writer's view
a farewell gift
after he's flown
his feathered ass south.
I fantasize
his black-topped head
bloodied and crushed
dirty-yellow beak
gaping and silenced.
Would I feel guilty
not a bit
not when all I can write about today
is his cheep, cheep, cheepering.
May Kuroiwa
after a winter sunning
somewhere in southern climes
building his nest in the gutter
outside my office window
cheep, cheep, cheepering
all the live-long day.
Screaming his fitness
to passing lady birds
like that drunken fraternity clod
who shouted Hey
Mei-Ling, the Chinese slut!
As I hurried by
to a 10 a.m. physics exam.
His nest will again
stop the gutter's flow
and icicles – no, eve-hanging glaciers --
will block my writer's view
a farewell gift
after he's flown
his feathered ass south.
I fantasize
his black-topped head
bloodied and crushed
dirty-yellow beak
gaping and silenced.
Would I feel guilty
not a bit
not when all I can write about today
is his cheep, cheep, cheepering.
May Kuroiwa
Tuesday, April 13, 2010
On MOMA's Wall
Sorry Mr. Pop
but Marilyn's still dead
Despite blue eyeliner
and lips of pouty red.
Bright yellow splotches
and brighter black instead
of her breathing presence
don't keep the public fed.
Though she is famous,
what was it that you said?
Your own fifteen minutes
are long past, gone and fled.
May Kuroiwa
but Marilyn's still dead
Despite blue eyeliner
and lips of pouty red.
Bright yellow splotches
and brighter black instead
of her breathing presence
don't keep the public fed.
Though she is famous,
what was it that you said?
Your own fifteen minutes
are long past, gone and fled.
May Kuroiwa
Monday, April 12, 2010
Phillip
She wonders
did she sign his death warrant
when she hired him, the luckiest day
of his life, he believed.
Seven, oh seven, seventy seven.
He was blond, with long fine hair
always in his eyes, he was gorgeous
with a beautiful slow smile, and
so tall he had to do the splits
so they could look eye to eye,
a student from Australia, who could now stay
in America, a brilliant mathematician
and a creative musician who turned
his computer into an orchestra.
With the job he got a green card,
and at night enjoyed the excitement
of New York’s musical scene, hanging
out with the famous and the dangerous.
The work he did for her he did with
such sophistication she could not
always follow his approach
but admired its elegance
and had but one complaint
he was always late, and she fussed
and fussed to get it done, but she could
never stay angry with him
for he did his work with brilliance
and he was gorgeous, his mind as rigorous
as his face was sweet, and she loved him
but was hard on him, once he invited her
to dinner at his apartment, and she told him
get the work done first
she noticed he looked paler than usual
and his finger nails looked blue,
deathly blue, and that was the last time
they spoke for he died very quickly,
from a fever they said
but she knew its cause
and his friend the famous composer
whose music she never liked
she now disliked with a passion.
She did not know it then
but the most creative period
of her career was nearing its end—
she never did learn how women
were supposed to play the game—
but his creativity was beginning to blossom.
If only he returned to Australia!
Peter Goodwin
did she sign his death warrant
when she hired him, the luckiest day
of his life, he believed.
Seven, oh seven, seventy seven.
He was blond, with long fine hair
always in his eyes, he was gorgeous
with a beautiful slow smile, and
so tall he had to do the splits
so they could look eye to eye,
a student from Australia, who could now stay
in America, a brilliant mathematician
and a creative musician who turned
his computer into an orchestra.
With the job he got a green card,
and at night enjoyed the excitement
of New York’s musical scene, hanging
out with the famous and the dangerous.
The work he did for her he did with
such sophistication she could not
always follow his approach
but admired its elegance
and had but one complaint
he was always late, and she fussed
and fussed to get it done, but she could
never stay angry with him
for he did his work with brilliance
and he was gorgeous, his mind as rigorous
as his face was sweet, and she loved him
but was hard on him, once he invited her
to dinner at his apartment, and she told him
get the work done first
she noticed he looked paler than usual
and his finger nails looked blue,
deathly blue, and that was the last time
they spoke for he died very quickly,
from a fever they said
but she knew its cause
and his friend the famous composer
whose music she never liked
she now disliked with a passion.
She did not know it then
but the most creative period
of her career was nearing its end—
she never did learn how women
were supposed to play the game—
but his creativity was beginning to blossom.
If only he returned to Australia!
Peter Goodwin
Sunday, April 11, 2010
I hate to see dead animals on the road,
I hate to see their bodies sullied, splattered,
fur and flesh battered into leather
like the mother raccoon and her four kits
separated into sudden pieces
for a full quarter mile along the highway
I stop and move them to the side
Yesterday I saw a large bird on the road, a vulture
tip of its wing moving in the wind
I stopped and lifted it
(noting the entrails drying on the road,
noting the dead squirrel it must have been eating when it was hit)
and started to drag it off the asphalt
claws scraping the road
feathers stiff
body surprisingly light for something that large
and then the bird's head swung up,
its round yellow eye looked at me, surprised,
as if it had not expected to move again
as if it had been somewhere else
as if it had not expected to see me at all
I'm sorry, I said, I'm sorry
I held its body close
took it out of the sun
laid it out on the grass under a tree
I'm so sorry
Maggie Creshkoff
I hate to see their bodies sullied, splattered,
fur and flesh battered into leather
like the mother raccoon and her four kits
separated into sudden pieces
for a full quarter mile along the highway
I stop and move them to the side
Yesterday I saw a large bird on the road, a vulture
tip of its wing moving in the wind
I stopped and lifted it
(noting the entrails drying on the road,
noting the dead squirrel it must have been eating when it was hit)
and started to drag it off the asphalt
claws scraping the road
feathers stiff
body surprisingly light for something that large
and then the bird's head swung up,
its round yellow eye looked at me, surprised,
as if it had not expected to move again
as if it had been somewhere else
as if it had not expected to see me at all
I'm sorry, I said, I'm sorry
I held its body close
took it out of the sun
laid it out on the grass under a tree
I'm so sorry
Maggie Creshkoff
Saturday, April 10, 2010
Revision
She sat for over an hour in her car
with a pencil
scribbling and re-scribbling
until she found a way out of her confusion
while I walked the beach
angry, disgusted at the density of others
chilled by the sea breeze
my mind in turmoil
yet—unbidden—it rewrites the poem.
Peter Goodwin
with a pencil
scribbling and re-scribbling
until she found a way out of her confusion
while I walked the beach
angry, disgusted at the density of others
chilled by the sea breeze
my mind in turmoil
yet—unbidden—it rewrites the poem.
Peter Goodwin
Friday, April 9, 2010
Yesterday
was stifling hot
I’m closing blinds, opening windows
closing windows, opening blinds
trying to create some breeze
the daffodils have died
the hyacinths have dried
no longer sweet
my house feel like a prison
and I am caged, contained
only blackbirds for company
the clasp in the gold chain
that threaded my wife’s
gold wedding ring broke
scattering chain and ring on the floor
why create a beautiful substantial
gold chain and attach a cheap clasp
and what is the symbolism
of a cheap clasp that fails?
A casual acquaintance
writes me a beautiful poem
the winds come
the rains come
blowing away humid stale air
rinsing and replenishing the earth
and today
ugly unkept bushes
bloom with sweet smelling flowers
which I clip, bring inside
my home now smelling sweet.
Is there a message here?
Probably not,
except that today
is a beautiful day
and I am feeling…
content.
Peter Goodwin
I’m closing blinds, opening windows
closing windows, opening blinds
trying to create some breeze
the daffodils have died
the hyacinths have dried
no longer sweet
my house feel like a prison
and I am caged, contained
only blackbirds for company
the clasp in the gold chain
that threaded my wife’s
gold wedding ring broke
scattering chain and ring on the floor
why create a beautiful substantial
gold chain and attach a cheap clasp
and what is the symbolism
of a cheap clasp that fails?
A casual acquaintance
writes me a beautiful poem
the winds come
the rains come
blowing away humid stale air
rinsing and replenishing the earth
and today
ugly unkept bushes
bloom with sweet smelling flowers
which I clip, bring inside
my home now smelling sweet.
Is there a message here?
Probably not,
except that today
is a beautiful day
and I am feeling…
content.
Peter Goodwin
Thursday, April 8, 2010
We WASPS
Where I grew up, on the Virginia Piedmont
we were all WASPS or we were nothing, well
there were the Negroes not that we called
them that, we were not that tolerant
and we had names that were easy
to pronounce, without an excessive clutter
of vowels or consonants, not that we were
prejudiced against those not privileged
to be us, in fact we were rather proud
of our tolerance towards those lesser breeds
we welcomed to our shores, sharing some
of our bounty, and now we have discovered
that we are just another minority, one of many,
and our names, once so distinguished, now sound flat.
Peter Goodwin
we were all WASPS or we were nothing, well
there were the Negroes not that we called
them that, we were not that tolerant
and we had names that were easy
to pronounce, without an excessive clutter
of vowels or consonants, not that we were
prejudiced against those not privileged
to be us, in fact we were rather proud
of our tolerance towards those lesser breeds
we welcomed to our shores, sharing some
of our bounty, and now we have discovered
that we are just another minority, one of many,
and our names, once so distinguished, now sound flat.
Peter Goodwin
Wednesday, April 7, 2010
Those Damn Bikers
When I had a motor bike
I didn’t wear a helmet
I had no special clothes
I ignored the speed limit
weaving in and out of traffic—
I had fun.
Now I am stuck behind bikers
with helmet, goggles
cocooned in heavy protective wear
doodling along at under the speed limit—
they don’t look like they are having fun—
and neither am I!
Peter Goodwin
I didn’t wear a helmet
I had no special clothes
I ignored the speed limit
weaving in and out of traffic—
I had fun.
Now I am stuck behind bikers
with helmet, goggles
cocooned in heavy protective wear
doodling along at under the speed limit—
they don’t look like they are having fun—
and neither am I!
Peter Goodwin
Tuesday, April 6, 2010
Touch
They say that pain is what we feel the best,
receptors in our fingertips are most
attuned to hurt, but I know that one dose
your hand dispenses on my naked breast
can cause an ache of sorts, for in the quest
of searching for our love, we’ve come so close
our shells are shed, like low tide at the coast.
Thus stripped, we face each other. All the rest
is lost beneath your touch, for now I know
that knowing you, in all ways of the word,
has been my saving grace. And now, no foe
no friend or family, none whose voice I’ve heard
could make me break my vows to you. And so
I welcome all the pain that's been incurred.
Maggie Creshkoff
receptors in our fingertips are most
attuned to hurt, but I know that one dose
your hand dispenses on my naked breast
can cause an ache of sorts, for in the quest
of searching for our love, we’ve come so close
our shells are shed, like low tide at the coast.
Thus stripped, we face each other. All the rest
is lost beneath your touch, for now I know
that knowing you, in all ways of the word,
has been my saving grace. And now, no foe
no friend or family, none whose voice I’ve heard
could make me break my vows to you. And so
I welcome all the pain that's been incurred.
Maggie Creshkoff
Monday, April 5, 2010
Birthday Reflections
A young man, ready
to embrace the future
heard the call of duty
went to war
and was killed.
His sister named her first born
after her dead brother, who
a generation later
heard the call of duty
went to war and was killed.
His sister named her first born
after her dead brother, who
a generation later
heard the call of duty
but did not go to war
and so lives to write this poem.
Peter Goodwin
to embrace the future
heard the call of duty
went to war
and was killed.
His sister named her first born
after her dead brother, who
a generation later
heard the call of duty
went to war and was killed.
His sister named her first born
after her dead brother, who
a generation later
heard the call of duty
but did not go to war
and so lives to write this poem.
Peter Goodwin
Sunday, April 4, 2010
Every Spring—the same conversation:
cut the flowers or leave them in the ground.
She wants them inside, he wants them
where they grew, where they belong.
She cuts them, brings them inside,
bringing the smell of Spring into her home
bright color in every corner.
She is gone, now he cuts the flowers
turning every surface into an altar—
the dead win all the arguments.
Peter Goodwin
cut the flowers or leave them in the ground.
She wants them inside, he wants them
where they grew, where they belong.
She cuts them, brings them inside,
bringing the smell of Spring into her home
bright color in every corner.
She is gone, now he cuts the flowers
turning every surface into an altar—
the dead win all the arguments.
Peter Goodwin
Saturday, April 3, 2010
Friday, April 2, 2010
A Couple of Couplets
Spring's colors burst
and satisfy winter's thirst.
Yesterday's rain cleared the way
for this sunshined April day.
May Kuroiwa
Working through some poetry forms. Tomorrow: Tercet
and satisfy winter's thirst.
Yesterday's rain cleared the way
for this sunshined April day.
May Kuroiwa
Working through some poetry forms. Tomorrow: Tercet
Thursday, April 1, 2010
April 1st
April 1st (April fool’s) Census Day
Today, they want to count me.
In fifteen days they want my money
(whatever's left)
Meanwhile I have forms to fill
incoherent instruction to decipher
obscure calculations to follow
blindly offering my soul to them
who, following their instructions, squeeze.
Perhaps the hippies were right.
Peter Goodwin
Today, they want to count me.
In fifteen days they want my money
(whatever's left)
Meanwhile I have forms to fill
incoherent instruction to decipher
obscure calculations to follow
blindly offering my soul to them
who, following their instructions, squeeze.
Perhaps the hippies were right.
Peter Goodwin
Wednesday, March 31, 2010
National Poetry Month Challenge
Are you up to Lunchlines' National Poetry Month Challenge?
All you have to do is write a poem a day in April.
No one's going to check on you, grade your work, or force you to write every day.
The point is not to craft beautiful poems daily, it's to discover what it takes for you to sits and writes. Every. Day. The drafts might be mush, empty twaddle, or just plain awful. And that's fine.
The main thing is to make yourself sit and write.
It could be the same time every day. It might have to wait until 11:53 pm. The poems could all be about what you see outside the same window or about the paperclip on your desk. Although writing 30 poems about a paperclip would be tough, even for a Rumi or Basho.
At the end of the month you get bragging rights and 30 -- yes, 30 -- brandy-new poems. Or however many you end up writing during April. When was the last time you produced, say, 15 new poems in a month?
Ready? Let's begin!
The Academy of American Poets' National Poetry Month page: http://www.poets.org/page.php/prmID/41
All you have to do is write a poem a day in April.
No one's going to check on you, grade your work, or force you to write every day.
The point is not to craft beautiful poems daily, it's to discover what it takes for you to sits and writes. Every. Day. The drafts might be mush, empty twaddle, or just plain awful. And that's fine.
The main thing is to make yourself sit and write.
It could be the same time every day. It might have to wait until 11:53 pm. The poems could all be about what you see outside the same window or about the paperclip on your desk. Although writing 30 poems about a paperclip would be tough, even for a Rumi or Basho.
At the end of the month you get bragging rights and 30 -- yes, 30 -- brandy-new poems. Or however many you end up writing during April. When was the last time you produced, say, 15 new poems in a month?
Ready? Let's begin!
The Academy of American Poets' National Poetry Month page: http://www.poets.org/page.php/prmID/41
Tuesday, March 23, 2010
March 16th assignment -- Curling
Curling, over-simplified
When curlers sweep or slide or burn
I wonder what they feel?
Despite their visage oh-so-stern
Perhaps it’s boules for which they yearn
Those plucky lads and lassies learn
That stones are hard to peel!
Maggie Creshkoff 3/16/2010
When curlers sweep or slide or burn
I wonder what they feel?
Despite their visage oh-so-stern
Perhaps it’s boules for which they yearn
Those plucky lads and lassies learn
That stones are hard to peel!
Maggie Creshkoff 3/16/2010
Thursday, March 11, 2010
March 2nd assignment
What’s in the bag?
What’s in the bag?
What’s hidden deep
below most thoughts
before we sleep?
What’s in the bag?
What do we hide
from others and
ourselves? Inside
most hearts are wishes
better kept
away from others.
Those adept
at seeing only
sunny things
and hearing just
the bird that sings
are welcome to
their paper bags.
3-2-2010
Maggie Creshkoff
Wednesday, March 10, 2010
Subscribe to:
Comments (Atom)